Try to picture this: a pedal board that’s 30-feet long, with close to a hundred of the all-time greatest stompboxes (in pristine condition!), along with an effects rack that houses top-notch outboard compressors, reverbs, EQs and vintage preamps. And imagine that you could play and record through this über-board with no noise at all, only one power supply and only a handful of knobs and switches to control the entire thing. Now imagine that it’s a svelte, sleek and shiny brushed-aluminum killer that looks awesome with your onstage rig.
That’s what you get with POD® X3 Live: up to nine simultaneous effects, and the most mammoth collection of tones and timbres ever assembled. With POD X3 Dual Tone processing, you can even run through two completely independent effects chains at the same time, to create totally original (and insane!) walls of sound. While its heavy-duty metal footswitches allow you to select presets and individual effect modules, the stylish and rugged POD X3 Live foot controller can be used to control wah, volume or to morph between effect settings. You can even integrate your collection of outboard rack and stompbox effects with POD X3 Live via its 1/4-inch stereo effects loop.
POD X3 Live includes:
• Stomp: Fuzz, Distortion, Overdrive and every flavor of delicious dirt.
• Mod: Chorus, Flanger, Tremolo, Rotary, Phaser; some serious swoosh.
• Delay: Multiple types of Analog, Digital, Tape and other echoes, echoes, echoes. . .
• Reverb: Multiple types of Room, Hall, Chamber, Plate, Spring and more.
• Beyond: Compressors, Gate, 4-Band Semi-Parametric EQ, Guitar Synth, Filters, Wah and the entire galaxy of otherworldly timbre tweakers.
Stompbox and Studio Effect Models based on*:
1. Teletronics LA-2A®
2. EP-1 Tube Echoplex
3. Electro-Harmonix® Deluxe Memory Man
4. Uni-Vibe
5. MXR® Phase 90
6. Fender® Deluxe Reverb® Tremolo
7. Leslie® 145
8. Arbiter® Fuzz Face
9. Ibanez® Tube Screamer
10. Big Muff Pi®
11. ProCo Rat
12. Maestro® Bass Brassmaster
13. Sans Amp Bass Driver
14. Arbiter® Cry Baby
15. L6 Vetta Comp
16. L6 Sub Octaves
17. L6 Slap Plate Reverb 18. L6 Male De-Esser 19. L6 Female De-Esser 20. L6 Vetta Wah 21. L6 Digital Delay 22. L6 Six band semi-parametric EQ 23. L6 Flanger 24. L6 Sine Chorus 25. L6 Noise Gate 26. L6 Standard Spring Reverb 27. L6 Brite Room Reverb 28. L6 Medium Hall Reverb 29. L6 Cavernous Reverb 30. L6 Bender pitch effect 31. Boss® CS-1 Compressor (treble switch) 32. Tycobrahe Octavia® 33. Binson EchoRec 34. Maestro® EP-3 Echoplex 35. Boss® DM2 Analog Delay 36. Roland® RE-101 Space Echo 37. Square CE-1 Chorus 38. A/DA Flanger 39. Boss® CS-1 Compressor 40. MXR® Dyna Comp 41. Vox® V847 Wah 42. Custom Vox® V847 Wah 43. Colorsound® Wah-Fuzz 44. Maestro® Boomerang Wah 45. Cry Baby® Super - Jen Electronics 46. RMC Real McCoy 1 Wah 47. Mu-Tron® III Down 48. Moog and ARP style synth filters 49. Moog Lead 50. ARP Solina / Elka® Strings 51. Boss® Metal Zone MT-2 52. Chandler Tube Driver® 53. Fender® Vibratone 54. L6 Sweep Echo 55. L6 Reverse Delay 56. L6 Stereo Delay 57. L6 Ping Pong Delay |  | 58. L6 Small Room 59. L6 Lux Spring 60. L6 Auto Swell 61. L6 Auto Pan 62. L6 Large Hall 63. L6 Vintage Plate 64. 64 Mu-Tron® III 65. 1960 Vox® AC15 Tremolo 66. L6 Tiled Room 67. L6 Rich Chamber 68. L6 Large Plate 69. Boss® CE-1 Chorus Ensemble 70. L6 King Spring 71. L6 Dark Hall 72. L6 Chamber 73. Boss® Metal Zone 74. L6 Vetta Juice 75. L6 Boost & EQ 76. L6 Clean Sweep 77. L6 Seizmik Synth 78. L6 Double Bass 79. L6 Buzz Wave 80. L6 Rez Synth 81. L6 Saturn 5 Ring Mod 82. L6 Synth FX 83. L6 Synth Harmony 84. L6 Squarge Chorus 85. L6 Expo Chorus 86. L6 Random Chorus 87. L6 Square Flange 88. L6 Expo Flange 89. L6 Lumpy Phase 90. L6 Hi-Talk 91. L6 Sweeper 92. L6 POD Purple X 93. L6 Random Sample and Hold 94. L6 Tape Eater 95. L6 Warble-matic 96. L6 Low Rez Delay 97. L6 Phaze Eko 98. L6 Bubble Eko |
* All product names used in this webpage are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development.